Boys Noize's tribute to Donna Summers. Whatever that dude is drinking, it's working.
download: Boys Noize - Donnastag
Absolutely gorgeous and amazing track off of Justin Martin's Ghettos & Gardens album, which you ought to buy if you haven't already. Or at least be sure to check out the song 'Butterflies' too.
download: Justin Martin - Don't Go (DJ Version)
This next one, in the right context, is simply a dancefloor
destroyer of untold proportions. Now, I know that Jamie Jones is as good
of dj as anyone out there (#1 in the world isn't too shabby), but for
whatever reason I've never been particularly engaged by any of his
productions or remixes. A week or two back in San Francisco though, Maceo Plex dropped this one at around 4AM and the dance floor absolutely
WENT OFF. It was probably the highlight of the set for me. After rummaging through tons of remixes the next morning, I couldn't find the
right one so I kind of forgot about it until I stumbled across it
today. ITS TIME FOR THE PERKYOULATER
download: Cajmere - Percolator (Jamie Jones Vault Remix)
I first discovered Bubba in a Gesaffelstein mix, and since then he's definitely lived up to that high level of sheer lunacy you'd expect from anything associated with Gesaffelstein, although his style is decidedly on the deeper side of things. And every track with his name on it somehow seems almost overflowing with bass. I'm not complaining. This new remix from him is probably my favorite effort of his so far. Check out more Bubba on Beatport.
download: Kasbah Zoo - Show Me (Bubba'S Show This Mix)
Up first is Angger Dimas' most recent single, Kitchen, which was released recently on Laidback Luke's Mixmash imprint. This is one I've been waiting to get my hands on for a while, and that's because 'Kitchen' is a bit like that kitchen drawer everyone has in their house where it seems like everything's been all stuffed into one place. Dutch house meets big room madness meets Dimas' own crazed indonesian twist on techno.. in other words, this one bangs.
Download: Angger Dimas - Kitchen (Original Mix)
Lone has long been high up there on our list of producers who seem like they've taken the game of dance music to that next level - that place where it's no longer about just making people move, it's about making something beautiful; it's about art. To that end, his 'Echolocations' EP from last spring was nothing short of perfection. I recently stumbled upon this older track he did and like the mix name suggests and the 90s vocal samples back up, this one has enough thumping drums and various booty shaking elements to fit into any warehouse-type DJ set, but don't let that fool you. Analog synths and floating pads weave in and out around each other here in ways that only a master could orchestrate, and it just goes to show again that Lone just might actually be on another level from everyone else.
Download: Lone - Pineapple Crush (Manchester Warehouse & VIP Mix)
Sounds from the Cloud
This first one is a bootleg from a kid I used to go to school with way back in the day named Sean Johnson, and I have to say it's pretty awesome. Be sure to check out the rest of his soundcloud for some more big room anthems. Click here to download. Chakalaka Kremlin (Sean Johnson Bootleg) by Sean_Johnson
Patrick and Augustus of Bright & Shiny made the trek out to Los Angeles at the beginning of August to attend the HARD Summer music festival in LA, an event we were drawn to equally for its impressively diverse lineup and for the promise of legendary after parties. Join us on a chronological journey through our festival shenanigans.
The first act we made it in time to see was Gesaffelstein, the Parisian producer who recently burst onto the scene with his style of jarring future-techno that he continues to pioneer entirely as his own. We were excited and curious from the outset to see what kind of set he'd throw down, since his music is in every quantifiable way different from your average dance music: the rhythms are chaotic, the transitions abrupt and jarring, and the layering of sounds are thoroughly unique and non status-quo.
For those curious about his appearance, the dude manned the decks donning a baller-ass tuxedo and proceeded to chain-smoke cigarettes for the entirety of his set. His set bobbed and weaved through a continuous stream of his own productions, which makes sense since I'm not sure what other music could congruently fit with his mental-ass style of techno. It should be noted that his style of mixing was not that of your average DJ; rather than traditionally mixing from song to song in gliding fashion as most disc jockeys do, Gesaffelstien's transitions matched his off-kilter and bizarre approach to techno by being jagged, abrupt, and thoroughly creative. All of these elements, in addition to his wonderful selection of proprietary beats, combined to make Gesaffelstein's set one of the highlights of the night. Here are some of our favorite tunes from the performance:
After Gesaffelstein, we made the trek over to the DFA tent to check out what the Juan Maclean was throwing down. We quickly learned that the DFA tent was, and would continue to be, a wondrous haven of soothing and groovy sounds. While the music had an overall funk-fueled sound, most all of it was bathed in thick synths that gave it a contemporary feel. I have to say, I was thoroughly surprised by how much I enjoyed this performance. We knew the Juan Maclean was legit, but this performance really opened my eyes to the wonders and power this gray haired mix master can bring to the decks.
The Juan Maclean - Feel So Good [Download Here]
Siriusmo, putting on his first ever American show, played almost exclusively songs out of his own repertoire. We had been extremely excited to see him spin since the man very rarely plays live (reportedly due to intense stage fear, which he's just now beginning to get over). Despite all the hype, his set was a little bit underwhelming. Don't get me wrong; the music he selected was all wonderful, and the light show was enthralling. But it was more the atmosphere; the crowd never really seemed that into it and as a novice DJ/party-starter, Siriusmo didn't do a particularly great job at attempting to increase the energy level. Regardless, we left his set glad to have heard his unique sounds blast out of festival-grade speakers, and even happier to have been able to witness the ways of this French wizard in person.
After Siriusmo, we booked it over to Digitalism, an act who we were entirely on the fence about from the outset. We all knew and loved the old Digitalism sound (circa 2007 and their rookie album "Idealism"). But at the same time we were let down by their newest LP, "I Love You Dude," and though it had its highlights, thought the release marked a downward trend for the group. So we approached their performance curious to see if these Germans from the hey-day of bloghouse could redeem themselves, or if they really had peaked and were just simply headed in the wrong direction. We soon knew the answer: Digitalism is here to stay. They absolutely ROCKED the stage with a hard-knocking live performance (versus a DJ set) that featured Jence and Isi working the synths, singing on the mics and performing alongside a live drummer. I cannot emphasize this enough: they absolutely KILLED IT. Probably one of the most high-energy sets of the entire night, which was a huge curve ball for us all... Definitely tied for the Bright & Shiny favorite performance of the evening.
One highlight of their performance was their live rendition of their classic party song 'Homezone,' during which instead of singing the original lyrics ("I have the biggest party ever at home / we have the biggest party eva") they switched it up to make it location appropriate, jumping around like a couple of crazies with the crowd, which was totally into it, shouting "LA, WE HAVE THE DANKEST PARTY EVA"... Mad props for that. Another highlight was their live rendition of Blitz, a song that is equally serene and beautiful as it is hard-hitting and energy-packed. Overall, a truly awesome performance. We walked away surprised and impressed.
Next up was French DJ/Ed Banger label boss/badass extraordinaire Busy P. This was hands down the performance of the night. His unique style and creative transitions were seamless and tasteful in every way, demonstrating the sonic maturity we've come to expect from the French tastemaker. We weren't sure what to expect out of his set, but after seeing him at last year's HARD Haunted Mansion, we learned that if there was one thing we could count on, it was for Busy P to bring a party like no other. In typical BUSY P W.T.F fashion, he arrived on stage wearing a pair of white overalls splattered with copious amounts of colorful paint and donning this really awesome Cool Cats hat that I've been thinking about buying for quite a while. He was fashionably late to his set, explaining to the crowd that he was off watching Duck Sauce...
This was no ordinary Busy P set. This show was billed as Busy Pictionary, meaning a collaboration between Busy P & So Me (The graphics designer for all things Ed Banger and Cool Cats). We weren't exactly sure what this would mean at first, but we quickly learned it was something incredibly innovative, something way cooler than we could have ever dreamed of. For the entirety of Busy P's set, So Me was set up five feet away on-stage with some sort of electronic tablet and pen which was connected to the massive screen behind the DJ booth where generic visuals would normally be played. Instead, So Me spontaneously drew stuff along with the music throughout the entire set. It was absolutely incredible; this man is a genius.
Mister P opened his dazzling set with a song that gave the crowd a much needed and appreciated breather from the relentless electro destruction that had just been mercilessly rained down upon them by Digitalism: the delightful and airy remix of Breakbot's 'Fantasy' by Video Village.
Busy Pedro then threw together a consistently groovy and thoroughly awesome collection of classics and new, unreleased gold, including the new Justice single, 'Audio Video Disco', and the new Mr. Oizo track, 'Douche Beat'.
"You want some new Ed Banger Shit or what???"
Mr. Oizo - Douche Beat
Then, all of the sudden about halfway through the set, Busy P completely cut off the music and in his characteristically French way, yells, "EY, LOS ANGELES, WHERE ZE FUCK ARE WE AT? ARE WE IN NEW YORK? PARIS? TOKYO? I DONT ZINK SO... WHERE ZE FUCK ARE WE AT?" Slowly, the sirens of one of the most famous California rap songs ever, 'Straight Outta Compton', crept out of the speakers. Gradually, as the crowd realized what was happening, people started screaming and cheering until finally he asked one more time, "LA WHERE WE AT?" and then the track dropped in perfect timing… people went nuts as the legendary track blared at full force. I can't find a video of Pedro visiting such destruction upon the City of Angels, but if you have one or know of one on youtube, be sure to leave it in the comments.
After playing out Daft Punk's Aerodynamic, he prepped the crowd for the new unreleased Justice track that he had promised everyone: [skip to about 2:00 if you don't feel like waiting]
After Busy P, Carte Blanche, a duo comprised of DJ Mehdi and Riton, took the stage and continued the amazing vibes that Busy P had doused over the crowd, throwing down yet another monstrous set. DJ Mehdi was dressed in all white, while Riton donned a black on black attire (see what they did there?). They transitioned from great track to great track, all the while dancing and visibly having a great time up there. Check out the video below and some of the great selections they played:
Our last show of the night was legendary DJ set from DFA label boss James Murphy and ex-bandmate Pat Mahoney in the DFA tent. This was one of the funkiest disco parties that I have ever been a part of and we consider ourselves truly lucky men to have witnessed it. To be honest, we recognized almost nothing they played seeing as it was truly a 70's disco fiesta, so download the songs we did manage to find, watch the video below, and reminisce on (or be jealous of) one of the best sets of Hard Summer LA 2011.
After Gesafflestein's set, we ran into him and Fool's Gold label boss A-Trak walking through the crowd. We were lucky enough to be able to strike up a conversation and impart unto them some Bright & Shiny stickers, which they hopefully took home and cherished.
Boys Noize:
Now just because we didn't catch very much of Boys Noize at the festival itself does not mean that we didn't get an earful of this beautiful man's mad techno sensibilities at the Hard afterparty. Stay tuned for our next post, devoted to the amazing warehouse rave stylings of The Well and the surprise appearance from everybody's favorite German man, Boys Noize.
